Highest Paid Actors in Hollywood



There is a high salary paid to famous actors in a movie. Some of these actors are so popular, that just associating the name of an actor with that movie can make that movie popular as well. In addition, the character of the actor spreads its quality and skill throughout the movie. Celebrities are the attention seekers valued for the position they hold in society. People cross various limits for just getting a glimpse of them sometimes.

Starting with actors according to Forbes Magazine, Matt Damon will be earning $29 million now onwards. His role in the first two Bourne films has netted $850 million and the third is now on the top of the U.S. Box Office.

The second on the list is Brad Pitt falling a place down and pocketing $24 million today whereas Vince Vaughn is on the third position after a tie up with Johnny Depp of Pirates of the Caribbean. Backing them up are the handsomes named Mel Gibson and Tom Cruise earning of salary of $30 million per film.

The one-time famous heroes Brad Pitt and Leonardo Di Caprio earn only $20 million adding up 20 percentage of the gross box office turn over per movie.

Jim Carrey was the top-earning actor collecting $39 million for his role in Cable Guy in 1996. Presently we have Tom Hanks who after the Da Vinci Code is being paid somewhere in the range of $29 to $49 million for the upcoming movie Angels and Demons.

Similarly, even after a flop Rendition in 2007 Reese Witherspoon is a moneymaker. She earns not less than $15 to $20 million whereas Angelina Jolie even after a movie like Beowulf earned only $8 million. The great Charlie girl Cameron Diaz is third having a price tag of $15 million.

Nicole Kidman of New York won Oscar award in 2002 for Virginia Woolfs The Hours was highest paid in 2006 but has dropped to fourth position to a salary of $10 to $15 million.

Renee Zellweger and Sandra Bullock get $10 million paycheck for their work. Even Julia Roberts a one time top class heroine also now belongs to same class of $10 million. Drew Barrymore and Jodie Foster together with Halle Berry follow the same track.

However, according to Forbes Magazine there are two such people away from industry but involved in it otherwise earning more than stars. One is J.K. Rowling and the other is Jennifer Aniston. The former is none other than writer of Harry Potter a craze throughout the nation whereas the latter took over Britney Spears last year and bagged $35 million for her as per reported by Reute.

These are the big names of Hollywood on whom the movie industry depends for its success.rs.

Christopher Columbus and the Arawak



It was just after midnight on October 12, 1492 that a 40-ish Christopher Columbus set foot in the America’s on behalf of Ferdinand and Isabella, the king and queen of Spain. On his way to the Indies, Columbus instead ran into the Bahaman island of San Salvador. Still, convinced he had indeed landed in the Indies, Columbus referred to the indigenous people that lived there as Indians. These people were actually the Arawaks and the Caribs. There are many stories surrounding Columbus’ notoriety as the discoverer of the Americas, however it is currently understood that Columbus was in fact not the first explorer to venture near these continents. Other seafaring men of his time were credited with making the journey before him as were the Vikings who, historians have discovered, were there long before the rest of the Europeans had even thought to venture past their own shores.

Columbus had a favorable impression of the Arawaks on his first visit. In true conquistador fashion, Columbus evaluated the Arawak in regard to their value to him and his royal sponsors. He responded to the innocent welcome of the Arawak who rushed to greet their new guests with an inspection and evaluation of their value and not by returning their apparently gracious welcome.

Since Columbus’ main goal on his expeditions was to return to Spain with ships laden with gold and spices, as was the goal of any exploration of the era, he was under extraordinary pressure to do so. And, as he was convinced that he had indeed reached the Indies, he was certain to be able to take such a rich bounty back to present to Ferdinand and Isabella. However, Columbus and his crew soon discovered that there was no treasure to be had in the new land other than its people. Therefore, Columbus proceeded to return the friendly gestures of the Arawak by gathering 1500 men, women, and children from which to select the best candidates for transport as slaves back to Spain. Of the 1500 Arawaks, 500 were selected as appropriate gifts for the Spanish court, but only 300 of them survived the voyage back to Spain. Two hundred of the peaceful Arawaks of San Salvadore perished due to sickness and disease. Once Columbus unloaded his human prizes in Spain, they were sold to the highest bidder.

Back on San Salvadore, the Spaniards continued their assault on the Arawaks by forcing them to work on plantation like estates. The Arawaks, obviously not satisfied with this arrangement attempted a resistance but although they significantly outnumbered the invaders, they were outgunned by the Spaniards who had a distinct advantage with their armor, muskets, horses, and swords. The treatment of the Arawaks became even more atrocious after their unsuccessful revolt with the Spaniards using them as litters to carry their Spanish conquerors from place to place and maiming and killing them at random.

It has been noted by some historians that Columbus had initially favored the Arawaks but that they fell from favor when they apparently dined on several of their Spanish invaders. These researchers insist that Columbus and the Arawaks had originally enjoyed a mutually beneficial relationship with Columbus noting the Arawak’s natural intelligence, looks, and openness. However, much of the documentation reviewed indicates that Columbus did indeed view the indigenous people of San Salvadore as potential slaves and that it was the Caribs, and not the Arawaks that were a cannibalistic tribe. Although Columbus most certainly did evaluate the Arawak for their intelligence, beauty, and sturdiness, he was surely doing so, not as much out of admiration for the people themselves, but because he needed to assess their suitability as slaves and their ability to please Ferdinand and Isabella and the Spanish court.

Unlike their European conquerors, the Arawak have no written record of the Spanish atrocities inflicted on them, but historians has pieced together what they believe to be an accurate accounting from the sources left behind by Christopher Columbus himself and other European settlers. Certainly, had the Arawak people known what fate would befall them, they, nor their island neighbors, would surely never have greeted the Spanish invaders with such guileless wonder. History has repeated similar episodes of apparent genocide throughout the ages and the first contact of Columbus and his men with the Arawak people was undoubtedly not the first, nor will it be the last, instance of such treatment of an indigenous population.

Christopher Columbus himself never set foot in North America, but the Spanish, French, and British conquerors of North America repeated this scene when they encountered the indigenous people of that land also. Columbus and the Spanish slave trade were almost successful in completely wiping out the Arawak population in the Bahamas. As these people were viewed as a resource to be used at the disposal of the Spanish people, the Arawak were viewed with no more regard than a head of cattle or a favorite horse. When the resource was exhausted, the Spaniards simply drew from another source as was their perceived right and the perceived right of any national conqueror.

Music: The World’s Worst Investment, And How You Can Get In On It!



Since the golden age of payola, investment bankers have laughed at music as the world’s dumbest investment. But while Wall Street gurus such as Lehman Brothers and Bernie Madoff guided their moneyed gentry into investments like AIG, General Motors, Worldcom, Adelphia and Enron, all under the watchful eye of the SEC, music companies were busy generating billions upon billions of dollars by selling products of tangible, objective value. Music! By the way, has anyone seen my check from the government for our loans to GM and AIG? I’m sure they owe each of us at least a Camaro and a health insurance policy by now.

Which would you rather have today, a thousand shares of Enron stock or the copyright to Stairway to Heaven? Pan Am stock certificates are now framed novelties while u2′s “360 Tour” generated over $736 million, according to the Hollywood Reporter.

Pop songs of all genre are commanding thousands and in some cases, millions of dollars for their use in films and television. And what do you think Ozzy makes every time you hear “Crazy Train” at a hockey or basketball game?

Perhaps the rumors of music’s demise have been slightly exaggerated.

There is good reason why music is considered a lousy investment, though. Most music projects fail! Most of them don’t generate anywhere near the cash flow that the icons do. Why? Because what makes an artist wildly popular in the marketplace and what causes their music to break through starts with a great song and artist, but is birthed and maintained by a lot of hard work that goes on out of the public eye.

It is this combination of talent, management, business affairs, accounting, investment, great production, packaging, marketing (new and old), publicity, promotion, booking, staging, travel logistics, merchandising and distribution that boost a great artist to where we can “discover” them.

But even with a million dollar investment in the launch of the artist, success is not guaranteed. It has to be a killer song or an amazing performance that’s relevant for the time! Lots of bad singers with money have tried to buy their way and it just doesn’t work that way. It has to be an artist the mass audience want to hear. But it goes beyond that. Even with the enormous instant exposure these “singers” get on the tv contest shows, most of them fritter away after their 15 minutes on network television.

Some estimates say hundreds of thousands of artists grab for the brass ring every year. And it’s painful to watch them, because some of them have crafted an amazing work of music, but I know that without the whole support mechanism in place, their chances of it blowing up are almost nil.

For those who understand this and for those investors and labels (big or small) who discover the right act with the right music at the right time, everyone involved can still make a fantastic return, despite rampant piracy. Why? Because even though the piracy clearly hurts, a music career is made-up of many revenue streams. Those who understand how to build these revenues through touring, merchandise, endorsements, sponsorships and licensing will continue to prosper. And judging from past recessions, great musicians will likely weather today’s economic hurricane better than this week’s hot stocks.

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